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Joseph Griffin-Janey

Welcome to my webpage, I hope the artwork featured is not boring to you folks.

 

The Hair Electric

Wood burning/carved-Electric/Acrylic

This piece is actually a "wood canvas" I used a Dremel tool and wood burning kit to create. Covered with paint and placed lights on the underside to create the modern universal man.

 

New Stuff

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"Institutionalized"
Gallery 110 Seattle
June 4-27th 2020

The LGBTQ community is not only confined to the public sphere. It's also found within our prisons and state hospitals in which this painting was inspired. While working as a nurse at Atascadero State Hospital in California around Christmas of 2018, I tried to capture the isolation of the individuals housed there. I thought about how at one time gay men where placed there for conversion therapy up until the 1980's. The building has a haunted feel that is reflected in the patients and staff. Atascadero is a universe onto itself cloistered away from the rest of the world. For the individuals occupying it, the new normal has been and will always remain the same.

 

"Inspiration Strikes" 
Gallery 110 Seattle
June 4th-27th 2020

Inspiration Strikes was created out of frustration on a sleepless night. This was painted in a moment of doubt... What to paint, why, my ability and passion all being called into question. Worse still it was becoming a balmy a balmy sunny morning in Bellingham, WA. Thinking to myself, "why can't I just be a normal" and satisfy myself to simply enjoy the day? There was natural light in the studio, the windows were open, and yet I felt miserable. During this process I could hear the hum of lawn mowers and small talk between neighbors making the situation all the worse. This is when unexpectedly my rage and focus became instead thoughts on nothing. Rather than fighting this new feeling, I embraced it. By banishing all analytics and planning, the end result was creating something I could be proud of the stemmed from my subconscious.

 
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Black&Gold

 
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Selected Works

 
 
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San Luis Obispo New Times

Ryah Cooley

A light Shines Through

Husbands Joseph and Jack Griffin-Janey said “I do” three times, and each time it was to each other. While three marriage ceremonies for one couple may seem extravagant, only one of the three ceremonies was a sentimental affair with friends and family present. The other two times—one at city hall in San Francisco in 2004, the other at city hall in San Luis Obispo in 2013—were strictly so Joe and Jack could make sure they were in fact legally married. When Kim Davis, a county clerk in Rowan, Ky., gained media attention last year for repeatedly ignoring a U.S. federal court order and refused to issue marriage licenses to same-sex couples in the name of Christianity, artist Joseph Griffin-Janey knew he had to paint her. While same-sex couples married in California in 2008 and later kept their federally recognized marital status, those who married years earlier, like Joe and Jack, did not. For a short window of time in February and March of 2004, the city of San Francisco issued marriage licenses to same-sex couples, which resulted in President George W. Bush voicing support for a constitutional amendment that would keep marriage between a man and woman. By August of 2004, the California Supreme Court had voided the San Francisco marriages.  

“We thought we were a part of history that day, and then, President Bush annulled all same-sex marriages” Jack said. “We had to go and say ‘Hey, are we still married?’” Joe added. Last year, when same-sex marriage became legal across the country, it seemed like a milestone to the Griffin-Janeys. But on June 12, a man shot and killed 49 people in a gay nightclub in Orlando in what is being called the worst shooting massacre in America’s history. Prior to the tragedy, Joe, an artist who is also studying to be a nurse at Allan Hancock College, hadn’t created much of anything for months. Two days later, he was back in his home studio, painting. His work, best described as abstract portraits, will be displayed at the GALA Center Gallery’s 20 Years of Pride Show. Artist Joseph Griffin-Janey’s painting The Travelers is an ode to members of the LGBT community that have come before and paved the way for others. Several days after the shooting in Orlando, the couple attended a vigil at the Mission in SLO for the victims. “When Sandy Hook happened I guess I felt shock, the same kind of shock I felt when I heard about the shooting in Orlando, but I guess the difference is this happened to a group I identify with,” Joe said. “The silver lining was that people really came together. I was really proud of this town—that doesn’t even have a gay bar—to get together and have a line of people wrapping all the way around the mission. There should be a solidarity and less divisiveness.” For a number of years, Joe played music as a member of the “Rocket Roll” band the Phenomenauts (He wore a robot helmet during performances. Toilet paper was launched at the audience). He even wrote an unpublished book about his time in the music scene, The Universe According to Joe. His art projects range from paintings to pieces using wine corks, tin foil, pennies, and cardboard. Yet, the 20 Years of Pride show at the GALA Center will be Joe’s first time displaying his art. Being creative has always been something Joe did for himself.

“Everybody thinks ‘Oh, I would love to do that,’ but if you don’t do it or never explore those kinds of avenues then you’ll never know,” Joe said. “One thing I do know is that I’m happiest when I’m creating.” Creatively Analytical... Artist Joseph Griffin-Janey paints, plays music, writes, and is currently studying to be a registered nurse at Allan Hancock College. Last year, one particular figure in the news caught Joe’s attention. Kim Davis, the county clerk in Rowan, Ky., who received national media attention because she repeatedly refused to issue marriage licenses to same-sex couples on the basis of her religion, acting in defiance of a U.S. federal court order.

Joe’s colorful, abstract depiction of Davis, Inside the Mind of a Mad Woman, is intense. It’s like a car crash that you want to look away from but just can’t. Davis’ skin has the tone of a green monster. Her eyes burn bright red as they stare at you. “FUCK YOU” is emblazoned on the bridge of her glasses. The confederate flag flies in the background, and Davis has a rainbow-hooded robe that falls over her head, in the style of those Catholic saints you sometimes see depicted on candles. “This is what would be in my brain if I ever met her in person,” Joe said. On a happier note, Joe’s other piece in the show, The Travelers, is an homage to those who have paved the way in the LGBT community. A rainbow road bursts out of a giant blue man’s mouth and a sparkly little rainbow bus glides forward on it. An approving sun watches from above. The painting reminds Joe of people like his husband’s uncle, a man who wasn’t accepted by his family in his day and died from AIDS alone. In community The 20 Years of Pride show will be on display through Aug. 19 at the GALA Center Gallery, located at 1060 Palm St. in SLO. Artists’ receptions for the exhibit will be held on July 1 and Aug. 5 from 6 to 9 p.m. as part of Art After Dark. Visit galacc.org for more information. “This show isn’t about any one individual artist, it’s about the whole thing, and it’s more timely than ever,” Joe said. “It’s going to showcase a slice of the LGBT community.” Ryah Cooley  rcooley@newstimesslo.com.

 

Contact

 

503-484-3644

1712 Jefferson St.
Bellingham,WA
98225

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